Ribbon Mics
Ribbon microphones offer a warm, natural sound and are particularly popular for recording voices and instruments that require a soft and velvety sound characteristic. These microphones are characterized by their bidirectional polar pattern and are ideal for recording vocals, wind instruments and string ensembles.
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Peluso TR 14 | RCA-style tube ribbon microphoneAdd to cart1.199€
- RCA-style ribbon microphone
- Bidirectional polar pattern
- CK5784 / 6J1P Subminiature glass tube
- max. SPL 149dB
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Peluso SR 14 | RCA-style stereo ribbon microphoneAdd to cart1.599€
- Stereo ribbon microphone in RCA style
- Bidirectional polar pattern
- Very low inherent noise
- max. SPL 149dB
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Peluso R 14 | RCA-style ribbon microphoneAdd to cart959€
- RCA-style ribbon microphone
- Bidirectional polar pattern
- Very low inherent noise
- max. SPL 149dB
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Warm Audio WA-44 | Studio ribbon microphoneAdd to cart1.149€
- Faithful reproduction of the most legendary studio ribbon microphone
- Customized CineMag USA transformer
- Powerful neodymium magnet
- 140 dB max.
sound pressure level
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Golden Age Audio Project R1 MKII | Ribbon Microphone 199€Add to cart
- Vintage style ribbon microphone
- Natural and soft sound
- for voice and acoustic instruments
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AEA R92 – Ribbon microphone with two tonalities 1.289€Add to cart
- Near-field ribbon microphone with reduced proximity effect
- Rich bass, warm, detailed mids and soft highs
- Different tonality on the front and back
- R84 character with lower proximity effect
- Directional characteristic: Eight
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AEA R88A – Active stereo ribbon microphone for far field 3.279€Add to cart
- Active far-field ribbon microphone with balanced lows and highs
- Stereo version of the AEA N8
- Features two Big Ribbonsâ„¢ in a fixed floral and mid-side configuration
- Open and natural sound
- Directional characteristic: Eight
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AEA R88 mk2 – Stereo ribbon microphone for far field 2.779€Add to cart
- Far-field ribbon microphone with balanced lows and highs
- Stereo version of the AEA N8
- Features two Big Ribbonsâ„¢ in a fixed floral and mid-side configuration
- Open and natural sound
- Directional characteristic: Eight
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AEA N8 NUVO Stereoset – Active ribbon microphone for far field 3.359€Add to cart
- Open and natural sound
- Far-field ribbon microphone with balanced bass and treble
- Same design philosophy as the AEA R88 stereo ribbon microphone
- Compact, lightweight design with high durability
- Directional characteristic: Eight
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AEA N8 NUVO – Active ribbon microphone for far field 1.399€Add to cart
- Open and natural sound
- Far-field ribbon microphone with balanced bass and treble
- Same design philosophy as the AEA R88 stereo ribbon microphone
- Compact, lightweight design with high durability
- Directional characteristic: Eight
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AEA N22 NUVO Stereoset – Active ribbon microphone for near field 3.149€Add to cart
- Extended top end with the classic warmth of a ribbon
- Near-field ribbon microphone with reduced proximity effect
- Balanced frequency response at a distance of 1 to 18 inches from the sound source
- Compact, lightweight design with high durability
- Directional characteristic: Eight
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AEA N22 NUVO – Active ribbon microphone for near field 1.279€Add to cart
- Extended top end with the classic warmth of a ribbon
- Near-field ribbon microphone with reduced proximity effect
- Balanced frequency response at a distance of 1 to 18 inches from the sound source
- Compact, lightweight design with high durability
- Directional characteristic: Eight
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AEA KU5A – Active ribbon microphone 1.779€Add to cart
- Warm, detailed and extended top end
- Excellent for use at close range, outdoors and in live operation
- Integrated high-pass filter switch reduces the proximity effect
- Directional characteristic: Supercardioid
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AEA KU4 – new edition of the legendary RCA KU3A 6.899€Add to cart
- AEA’s new development of the legendary RCA KU3A
- Near-field ribbon microphone with reduced proximity effect
- Extended top end with classic ribbon softness
- Directional characteristic: Supercardioid
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AEA R84A – Active version of the R84 1.759€Add to cart
- Active version of the R84 with 12dB more output
- Warm, soft and detailed classic ribbon sound
- Sound similar to the R44 series, but with extended top end and less proximity effect
- Versatile use at close range or for ambient shots
- Directional characteristic: Eight
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AEA R84 – R44C with extended frequency response 1.469€Add to cart
- Warm, soft and detailed classic ribbon sound
- Sound similar to the R44 series, but with extended top end and less proximity effect
- Versatile use at close range or for ambient shots
- Directional characteristic: Eight
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AEA A440 – Active variant of the R44 7.490€Add to cart
- Active version of the R44 with 18dB more output
- Unsurpassed warmth and legendary character
- Full and rich sound with generous low bass and proximity effect
- Directional characteristic: Eight
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AEA R44CXE – Economy version of the R44CE with maximum power 4.949€Add to cart
- R44CXE with 6dB more output
- Unsurpassed warmth and legendary character
- Full and rich sound with generous low bass and proximity effect
- Directional characteristic: Eight
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AEA R44CX – The original with extra power 6.149€Add to cart
- R44C with 6dB more output
- Unsurpassed warmth and legendary character
- Full and rich sound with generous low bass and proximity effect
- Directional characteristic: Eight
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AEA R44CE – Icon with a simple look 4.169€Add to cart
- R44C with a sleek look
- Unsurpassed warmth and legendary character
- Full and rich sound with generous low bass and proximity effect
- Directional characteristic: Eight
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AEA R44C – The modern RCA 44BX 5.449€Add to cart
- Unsurpassed warmth and legendary character
- Full and rich sound with generous low bass and proximity effect
- Directional characteristic: Eight
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Golden Age Audio Project R1 Tube Active | Ribbon Microphone 389€Add to cart
- Active ribbon microphone with tube amplification
- Natural and soft sound
- Very high sound pressure resistance
- for voice and acoustic instruments
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Golden Age Audio Project R2 MKII | Ribbon Microphone 205€Add to cart
- Vintage style ribbon microphone
- Natural and soft sound
- for voice and acoustic instruments
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Golden Age Audio Project R1 Active MKIII | Ribbon Microphone 248€Add to cart
- Active ribbon microphone in vintage style
- Natural and soft sound
- for voice and acoustic instruments
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Golden Age Audio Project R1 ST | Stereo Ribbon Microphone 590€Add to cart
- Blumlein stereo arrangement in vintage style
- Natural and soft sound
- for voice and acoustic instruments
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Sontronics Apollo 2 | Stereo Ribbon Microphone 1.779€Add to cart
- Stereo ribbon microphone
- with +48V phantom power
- for acoustic instruments and room signals
- Handmade in England
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Sontronics Delta 2 | Ribbon Microphone 809€Add to cart
- Ribbon microphone
- with +48V phantom power
- for loud instruments
- Handmade in England
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Sontronics Sigma 2 | Ribbon Microphone 799€Add to cart
- Ribbon microphone
- with +48V phantom power
- for voice and instruments
- Handmade in England
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Golden Age Audio Premier R1A | Ribbon Microphone 599€Add to cart
- Ribbon microphone
- Eight polar pattern
- Max. 160dB SPL
- for voice and acoustic instruments
- Lundahl 1927A transformer
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Coles Electroacoustics 4030L ribbon microphone 820€Add to cart
The Coles 4030L, an entry-level ribbon microphone with the outstanding sound quality you would expect from this renowned company.
What is a ribbon microphone?
A ribbon microphone is a type of microphone that uses a thin, lightweight metal ribbon that vibrates in a magnetic field to convert sound waves into electrical signals. These microphones are known for their warm, natural sound and sensitivity to high frequencies. They capture the low and mid frequency range particularly well and deliver a soft, organic sound. This makes them ideal for applications where an authentic, “vintage” sound is desired.
How does a ribbon microphone work?
A ribbon microphone works by moving a thin metal ribbon within a magnetic field. When sound waves hit the ribbon, it moves and generates an electrical voltage that corresponds to the audio signal.
For which applications is a ribbon microphone particularly suitable?
Ribbon microphones are ideal for recording vocals, wind instruments and strings. They are less suitable for loud signal sources or environments with a lot of moving air, as they are more sensitive.
Why are ribbon microphones particularly suitable for studio recordings?
Ribbon microphones are particularly suitable for studio recordings because they:
- Offering a warm and natural sound: Ideal for recording vocals, acoustic instruments and overheads.
- High-resolution detail: They capture fine details and nuances in high frequencies.
- Smooth high-frequency reproduction: No overemphasis on high frequencies, which makes the sound soft and pleasant.
What types of ribbon microphones are there?
Most ribbon microphones have a bidirectional polar pattern, also known as a figure-of-eight pattern. This means that they pick up sound from the front and rear equally, while sound sources from the side are picked up less strongly.
What are the differences between the various ribbon microphone models?
Differences between models can lie in sensitivity, frequency response, workmanship and additional functions such as built-in preamplifiers. More expensive models often offer a more robust construction, better components and more precise sound reproduction.
What directional characteristic does the ribbon microphone have?
There are different types of ribbon microphones. This includes:
- Passive ribbon microphones: These microphones do not require an external power supply, but are more sensitive to low output levels and noise.
- Active ribbon microphones: These models contain integrated amplifiers and require phantom power. They offer a higher output level and are less sensitive to noise.
What is the output level of a ribbon microphone?
Ribbon microphones generally have a lower output level compared to condenser or dynamic microphones. This means that a high-quality preamplifier may be necessary to amplify the signal sufficiently without generating noise.
How good is the isolation of ambient noise with a ribbon microphone?
Due to their bidirectional polar pattern, ribbon microphones pick up sound from the front and rear equally, while they pick up less sound from the sides. In a noisy environment, this could lead to unwanted noise, which is why careful positioning is important.
How do I choose the right ribbon microphone for my needs?
To choose the right ribbon microphone for your needs, you should:
- Determine the intended use: Think about whether you mainly want to record vocals, instruments or surround sound.
- Consider your budget: Set yourself a budget and find a microphone that offers the best price-performance ratio.
- Compare technical specifications: Pay attention to sensitivity, frequency response, noise behavior and other technical characteristics.
- Read test reports and recommendations: Find out about the experiences of other users and experts.
Do I need special equipment for a ribbon microphone?
Since ribbon microphones often have a lower output level, they usually require a preamplifier with high gain and low noise. However, some modern ribbon microphones have built-in preamplifiers that reduce the need for special equipment.
Do I need phantom power for my ribbon microphone?
Whether you need phantom power depends on whether your ribbon microphone is passive or active. Active ribbon microphones require phantom power, while passive ribbon microphones do not. Note that passive ribbon microphones can be damaged by improper phantom powering.
How do I properly care for and maintain my ribbon microphone?
To properly care for and maintain your ribbon microphone, you should:
- Keep away from dust and moisture: Store the microphone in a dry, clean room and use a protective cover or microphone case.
- Clean regularly: Use a soft cloth to remove dust and avoid aggressive cleaning agents.
- Handle with care: Ribbon microphones are sensitive to shocks and strong vibrations.
- Use pop protection: A pop filter protects the ribbon from sudden bursts of air and saliva.
What are the most common mistakes when using ribbon microphones?
The most common mistakes when using ribbon microphones are:
- Incorrect positioning: Make sure you position the microphone correctly to capture the best sound.
- Overdrive: Make sure that the input level is not too high to avoid distortion.
- Improper phantom power: With passive microphones, this can damage the ribbon.
- Not using pop filters: Pop filters are important to reduce plosive noises.
How can I achieve the best sound quality with my ribbon microphone?
To achieve the best sound quality with your ribbon microphone, you should:
- Choose the right recording location: Find a quiet room with good acoustics.
- Find a suitable microphone position: Experiment with different positions and distances to find the best sound.
- Use high-quality pop filters and microphone stands: These tools help to improve recording quality and reduce unwanted noise.
- Optimize the recording level: Make sure that the level is not too high or too low.
Can I use a ribbon microphone in live performance?
Ribbon microphones can be used in live applications, but care must be taken. They are more sensitive to mechanical stress and air pressure, which is why they should be used in a protected environment or with careful positioning and handling.