Black Lion Audio Revolution 2×2 audio interface
315€
- 2-channel USB recording interface
- precise Macro-MMC clock
- power supply filtered with PG-i technology
Black Lion Audio brings a breath of fresh air to the home recording sector with its Revolution 2×2 USB-C audio interface and delivers features that are otherwise not found at all in the mid-price segment – or only in larger converter systems. The company became famous at the time through modifications of digital-to-analog converters and audio interfaces, and hereby presents the first in-house USB interface, into whose development all this experience has flowed. Excellent components, a consequent decoupling of the analog part, the in-house, extremely precise Macro-MMCClock as well as an integrated PG-I current stabilization.
This sets standards in terms of sound integrity and absence of ambient noise far beyond the class of the interface. The two combo jacks can be used to connect and amplify both microphones and instruments (Hi-Z for electric guitars), while the rear panel offers a stereo monitor output in addition to SPDIF I/O.
Add to that a VU meter with digital display and a headphone output with high-fidelity amplifier, and all this is packed in a sturdy little case for home or travel.
But that’s not all: a software package consisting of Studio One Artist, the iZotope Elements Suite, and the Plugin Alliance brainworx bx_Digital and Lindell 6X500 plug-ins are available. And if there is no USB-C port on the computer, a USB-C to USB-A cable is conveniently included.
- balanced signal path
- high-quality microphone preamplifiers
- precise Macro-MMC clock
- filtered power supply
- mix control and mono switch
- AD/DA conversion with up to 24 bit / 192 kHz
- LED level meter
- switchable 48V phantom powering
- Mic / instrument input via XLR / jack combo jack
- 2 balanced line outputs
- 1 stereo headphone output with separate control
- monitor volume control
- coaxial S/PDIF input and output
- USB-C connector
- USB-A adapter included
Mikrofoneingang
Eingangsimpedanz = 3KΩ (symmetrisch)
Verstärkungsbereich = 55dB
Frequenzgang = 20Hz – 20KHz +/- 0.25dB
THD + N = .00098% (@12dB Verstärkung)
Dynamikbereich = 116dB (A-bewertet)
Crosstalk = < 100dB
Line-Eingang
Eingangsimpedanz = 14KΩ (symmetrisch)
Maximaler Eingang = 20dBu
Verstärkungsbereich = 55dB
Frequenzgang = 20Hz – 20KHz +/- 0.25dB
THD + N = 0,0022% (Mindestverstärkung)
Dynamikbereich = 126dB (A-bewertet)
Crosstalk = < 100dB
Line-Ausgänge
Ausgangsimpedanz = 95Ω (symmetrisch)
Max. Ausgangspegel = 12dBu
Frequenzgang = 20Hz – 20KHz +/- 0,25dB
THD+N = .002% (@ +10dBu)
Dynamikbereich = 106dB**
Instrument Input
Input Impedance = 1MΩ (unbalanced)
Gain Range = 55dB
Frequency Response = 20Hz – 20KHz +/- 0.25dB
THD + N = .00114% (@ 0dBu)
Dynamic Range = 103dB (A-Weighted)
Crosstalk = < 100dB
Headphone Outputs
Output Impedance = 2.5Ω
Maximum Signal Output = 9.3dBu
Frequency Response = 20Hz – 20KHz +/- 0.5dB
**Dynamic range is affected by our preference to tuning invidual stages for tonality. We found that the best sounding parts in the output path weren’t necessarily the lowest noise components but they resulted in an optimal tone and signal purity that is instantly apparent to the listener. Electronic design is a game of compromise and we’re confident your ears will agree with our choices.
| Weight | 2,4 kg |
|---|---|
| Dimensions | 30,5 × 25,4 × 12,7 cm |
| Number of analog outputs | 2 |
| Number of analog inputs | 2 |
| Headphone Jack | Yes |
| Port | S/PDIF, sym. Jack, unsym. Jack, XLR |
| Max. Bitrate | 24 Bit |
| Max. Samplerate | 192 kHz |
| Conversion | AD-Converter, DA-Converter |
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