Outboard Gear
Outboard devices are both analog and digital signal processors that are used in recording studios and live applications. They are characterized by their specific sound properties and are used to process and refine signals. Depending on the manufacturer and the series, these devices are available in different formats, such as 19″ or 500 format. Outboard gear is essential in recording, mixing and mastering and is often optimized specifically for one of these specialist areas.
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AMS Neve 1073LB | 500 Mic PreampAdd to cart959€
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Legendary Neve 1073 microphone preamplifier in 500 series format
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Class A circuit with transformer-coupled inputs and outputs
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Switchable input impedance (300 Ω / 1.2 kΩ) for adaptation to different microphones
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AMS Neve 1073 OPX | 8-channel preamp with USBAdd to cart4.169€
- 8 remote-controlled Neve 1073 microphone/line/instrument preamps
- with Marinair transformers
- Integrated USB and Dante interfaces for digital audio connections up to 192 kHz
- Control via software with total recall function
- Front DI inputs and headphone output with volume control
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AMS Neve 1073 OPX ADAT Bundle | 8-Channel Preamp with ADAT & USBAdd to cartADAT CARD BUNDLE4.699,05€
- 8 remote-controlled Neve 1073 microphone/line/instrument preamps
- with Marinair transformers
- Integrated USB and Dante interfaces for digital audio connections up to 192 kHz
- Control via software with total recall function
- Front DI inputs and headphone output with volume control
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AMS Neve 1073 OPX Dante Bundle | 8-Channel Preamp with Dante & USBAdd to cartDANTE CARD BUNDLE5.299€
- 8 remote-controlled Neve 1073 microphone/line/instrument preamps
- with Marinair transformers
- Integrated USB and Dante interfaces for digital audio connections up to 192 kHz
- Control via software with total recall function
- Front DI inputs and headphone output with volume control
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AMS Neve 1073 DPX | Dual-Mono ChannelstripAdd to cart3.199€
- 2x Class A microphone preamplifier with equalizer
- Exclusive Neve Marinair transformers at input and output
- Mic/Line and DI on the front panel
- Mic/line on the back
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AMS Neve 1073 DPA | Dual Mono Preamp 2.399€Add to cart
- Two Class-A microphone preamps in the classic Neve 1073 design
- Handmade and hand-wired construction
- with original Neve Marinair transformers
- Gain control with up to 80 dB amplification and ±10 dB trim per channel
- Switchable input impedance (300 Ω / 1.2 kΩ)
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Avalon VT-737SP Limited Gold Edition | Channel StripAdd to cartGiveaway4.390€
- 40 years of Avalon – Limited to 40 pieces worldwide
- distinct modern tube sound
- Mic / Line / Instrument Input Level
- Opto Compressor
- 4-Band EQ
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Chameleon Labs 7603 | Preamp + EQ Channelstrip – B-StockAdd to cart360°PROMO DEAL-13%Limited
1.549€Original price was: 1.549€.1.349€Current price is: 1.349€.- Preamp + EQ in Neve 1076 style
- 70dB preamp gain + 10dB output gain
- Relay-controlled Mic / Line / DI preamps
- High-quality switches with aluminum caps
- Selectable input impedance (300Ω / 1200Ω)
Available in our demo studio Dresden. Arrange appointment
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klanghabitat Cassiopeia cube | Standalone Stereo Tube SaturatorAdd to cart1.089€
- Stereo Saturator in standalone cube
- Real tube saturation
- Gentle distortion
- Natural compression
- Flexible use
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klanghabitat Cassiopeia | 500 Stereo Tube SaturatorAdd to cart889€
- Stereo Saturator in API500 format
- Real tube saturation
- Gentle distortion
- Natural compression
- Flexible use
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klanghabitat Lyra cube matched pair | Standalone Dual-Mono Tube SaturatorAdd to cart1.289€
- 2x Mono Saturator in standalone cube
- Real tube saturation
- Gentle distortion
- Natural compression
- Flexible use
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klanghabitat Lyra matched pair | 500 Dual-Mono Tube SaturatorAdd to cart1.089€
- 2x Mono Saturator in API500 format
- Real tube saturation
- Gentle distortion
- Natural compression
- Flexible use
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klanghabitat Lyra | 500 Mono Tube SaturatorAdd to cart489€
- Mono Saturator in API500 format
- Real tube saturation
- Gentle distortion
- Natural compression
- Flexible use
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API 565 Filter Bank | 500 Filter EQAdd to cartGiveaway819€
- HPF, LPF, variable notch filter
- API 2520 and 2510 Op-Amps
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API 505-di | 500 D.I. PreampAdd to cartGiveaway819€
- Preamp for D.I. line and instrument signals
- Switchable impedance
- Hi-Z and THRU front side
- API 2520 and 2510 Op-Amps
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API 512v | 500 Mic PreampAdd to cartGiveaway1.349€
- Further development of API 512c
- max. 65 dB Mic Gain
- max. 45 dB instrument and line gain
- Fully discrete circuit design with 2520 op-amp
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API 512c | 500 Mic PreampAdd to cartGiveaway1.189€
- max. 65 dB Mic Gain
- max. 45 dB instrument and line gain
- Fully discrete circuit design with 2520 op-amp
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API 525a | 500 FET compressorAdd to cartGiveaway1.299€
- Feedback FET compressor (revised version of the API525)
- New: Variable attack and 7 selectable release modes
- Dual-threshold system for soft compression or limiting
- API 2520 OpAmp for classic API sound with analog saturation
- De-esser mode for precise vocal processing
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API 525 | 500 Feedback CompressorAdd to cartGiveaway1.579€
- Feedback compressor
- Dual-threshold system for soft compression or limiting
- API 2520 OpAmp for classic API sound with analog saturation
- De-esser mode for precise vocal processing
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API 560 | 500 10-band graphic EQAdd to cartGiveaway1.088€
- Graphical 10-band EQ in 500 format
- 12 dB boost/but per band
- Bypass switch
- based on the original 1969 API 560 EQ
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Weight Tank WT-Comp | Vari-Mu CompressorAdd to cart1.599€
- smooth, euphonic compression and rich harmonic saturation
- Variable attack and release times
- “Round” mode produces a smooth, sweet and pure tone.
- “Drive” mode reinforces the harmonic structure and delivers a more powerful sound overall.
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Black Lion Audio Level-Loc | Creative FET CompressorAdd to cart629€
- Authentic replica of the classic Shure Level-Loc with modern components
- FET compression for aggressive and characterful dynamic processing
- Simple operation with fixed ratio values
- LoFi & vintage sound with harmonic distortion
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Roger Schult V2359j amp4ribbon microphone preamplifier silverAdd to cartGiveaway729€
- Microphone preamplifier
- Basic gain: 26 dB – 59 dB (up to 76 dB via jumper)
- Impedance control: 150 Ohm to 22 kOhm
- 3-band EQ
Available in our demo studio Dresden. Arrange appointment
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Avalon V5 | High Voltage Preamp – SilverAdd to cartGiveaway1.979€
- High Voltage Design
- DI und Re-Amping
- for microphones and instruments
- Dual impedance for ribbon/condenser microphones
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Avalon V5 | High Voltage Preamp – BlackAdd to cartGiveaway1.979€
- High Voltage Design
- DI und Re-Amping
- for microphones and instruments
- Dual impedance for ribbon/condenser microphones
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Avalon U5 | High Voltage Instrument Preamp & DI Box – BlackAdd to cartGiveaway1.129€
- High Voltage Design
- DI und Re-Amping
- for microphones and instruments
- Dual impedance for ribbon/condenser microphones
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Avalon U5 | High Voltage Instrument Preamp & DI Box – SilverAdd to cartGiveaway1.129€
- High Voltage Design
- DI und Re-Amping
- for microphones and instruments
- Dual impedance for ribbon/condenser microphones
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SPL GoldMike MK2 | Mic PreampAdd to cartGiveaway1.589€
- Dual-mono tube preamplifier
- 67dB preamp gain + 6dB output gain
- Line-, Mic-, Instrument Hi-Z- Level
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SPL GoldMike MK2 Premium | Mic Preamp with Lundahl TransformerAdd to cartGiveaway2.199€
- Dual-mono tube preamplifier
- up to +14dB basic amplification through Lundahl transformer
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SPL GainStation 1 | Mic PreampAdd to cartGiveaway1.049€
- Mono Class A and tube preamplifier
- 60 volt operating voltage
- 48 volt phantom power
What is Outboard Gear?
Outboard gear refers to external audio hardware used in recording studios to process and enhance the sound. This includes compressors, equalizers, reverbs and other effects that work outside the digital audio workstation (DAW).
Why is outboard gear important for music production?
Outboard gear plays a crucial role in music production as it often offers higher sound quality and more tonal coloration than digital plugins. Many sound engineers prefer analog processing as it gives the sound more warmth and character.
What types of outboard gear are there?
The most common types of outboard gear include:
- Compressors: Reduce the dynamics of an audio signal.
- Equalizers (EQs): Adjust the frequency balance of a signal.
- Preamps: Amplify the input signal and influence the sound character.
- Multi-effects: Add spatiality to the signal.
How do I choose the right outboard gear for my studio?
Choosing the right outboard gear depends on several factors:
- Need: Determine what kind of sound processing you need (e.g. compression, EQ, reverb).
- Budget: Set a realistic budget, as high-quality outboard equipment can often be expensive.
- Style and genre: Choose devices that support the sound character of your music style.
- Experience: Consider your knowledge and experience with operating analog devices.
What are the advantages of analog outboard over digital plugins?
Analog outboard often offers a natural and musical sound characteristic that is difficult to reproduce with digital plug-ins. They give the audio signal warmth and fullness and react more dynamically to transients.
What is the difference between tube and solid state?
Tube and solid-state devices are two of the most popular designs in the world of outboard gear, and each has its own sonic characteristics. Tube gear, known for its warm and harmonically rich sound, produces a natural compression and saturation that is often described as “musical”. These devices are ideal for those looking for a classic, vintage sound. In contrast, solid-state devices offer clear, precise and transparent signal processing. They are often more durable and require less maintenance than their tube counterparts.
How do I integrate Outboard Gear into my DAW?
The integration of Outboard Gear into your DAW requires:
- Audio interfaces with sufficient inputs and outputs.
- Routing: Set up send and return paths to route the signal to the external devices and back to the DAW.
- Gain staging: Pay attention to the correct input and output level, as analog devices always work best at a certain volume range.
What are preamps and why are they important?
Preamps are preamplifiers that amplify the weak signal from a microphone before it is processed further. They are important as they significantly influence the sound character and amplify the signal with low noise and clarity.
What is the difference between hardware devices and plug-ins?
Hardware offers physical operation and often a unique sonic character created by the analog circuitry. Plugins are more flexible and less expensive, but they usually can’t offer the same sonic warmth and depth as their analog counterparts.
How do I use reverbs effectively in my production?
Reverb units should be used sparingly and selectively to add depth and space to the mix without overloading it. Different settings such as plate, room and reverb offer different sound characteristics that you can adjust as required.
What are the most common mistakes when using Outboard Gear?
The most common errors when using outboard devices include the following points:
- Overcompression: Too much compression can make the sound unnatural and lifeless.
- Lack of gain staging: Incorrect levels can lead to distortion and noise.
- Incorrect cabling: Incorrect cabling can lead to humming, noise or even damage to the devices.
- Excessive use of effects: Too many effects or excessive use can make the sound unclear and muddy.
- Insufficient adjustment of parameters: Insufficient fine-tuning of controls and parameters can miss the desired sound effects or create unwanted artifacts.
- Failure to observe the phase position: Errors in phase balancing can lead to phase problems and cancellations in the mix.
- No regular calibration: Analog devices require regular calibration to ensure optimum performance. Neglecting this can affect the sound quality.
- Inadequate maintenance: Analog devices require regular maintenance and calibration, especially tube devices.
- Lack of experience: A lack of experience in using outboard gear can lead to devices not being set up optimally or their capabilities not being fully utilized.
How can I maximize the quality of my outboard gear?
To further maximize the quality of outboard devices, you should consider the following points:
- Avoiding overloading: Make sure that you do not overload the devices by using them within their recommended operating limits.
- Optimize signal paths: Use high-quality cables and connections to minimize signal loss and interference.
- Use of protective circuits: Use a surge protector and other protective measures to protect your devices from electrical problems.
- Regular software updates: If your devices support firmware updates, make sure they are always up to date to benefit from improvements and bug fixes.
- Regular calibration: Make sure your devices are calibrated regularly to ensure their best performance and sound quality.
- Professional maintenance: Have your outboard gear regularly checked and serviced by specialists to detect and rectify mechanical problems or wear at an early stage.
- Careful storage: Store your devices in a dry and dust-free place to prevent damage from environmental influences.
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Audiosteps Plugin Hardware Modelchart
Our database with over 1,000 analog modeled plug-ins and associated hardware.
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