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Monitor Controller
Rupert Neve Designs Shelford Channel 5035 | Channel Strip
- with transformer gain preamp, DI box
- Inductor EQ and diode bridge compressor
- Silk circuit
3.234,44€
The Shelford Channel consists of Rupert Neve’s first Class A microphone preamp with transformer amplification, a “best-of-the-classics” induction EQ section, a high-sounding diode bridge compressor, variable silk saturation, a new custom transformer output stage with twice the operating voltage of the vintage designs.
The Shelford Channel, which has been over fifty years in the making, is the final evolution of the original technologies in Rupert’s classic console modules such as the 1073, 1064 and 2254.
Like Rupert’s designs from his time in Little Shelford, the Shelford Channel’s preamp uses a direct-coupled transformer input, with the gain provided by the custom transformer itself—a first for Rupert Neve in over 40 years. This new, specially developed input transformer, together with its careful integration into the surrounding Class-A circuitry, is crucial to the channel strip’s bold and instantly recognizable character.
Conveniently, the direct input uses the same topology as the best-selling RNDI Active Transformer Direct Interface, which offers amazing clarity for high-Z instrument signals with unparalleled low-frequency response and an incredibly smooth high-frequency response.
- Transformer gain preamp, DI box
- Inductor EQ
- Diode bridge compressor with pre/post EQ
- Silk circuit
- Sidechain send / return
- Stereo Link Option
- Blend for parallel compression
- Frequency response: 17Hz – 45 kHz +/-0.25 dB
- Signal-to-noise ratio: -100.9 dBu (unity gain)
- Input: +21.5 dBu
THE BEST OF EQ
The Shelford Channel’s 3-band inductive EQ was inspired by our favorite elements of Rupert’s vintage EQs. The low-frequency band was designed to produce a creamy, resonant bass response, similar to that of a vintage 1064 —but unlike the vintage modules, the Shelford Channel’s LF band can be used as either a shelf or a peak filter, giving the low frequencies punch, dimension, and control.
The midband is based on that of the 1073 and is ideal for refining vocals and instruments and bringing them to the forefront of a mix. With its “proportional Q” response, it is well-suited for minimizing problematic frequencies. The high-frequency band is a hybrid vintage/modern design that combines inductive circuits with capacitor-based topologies to achieve vintage sounds with improved control, with the shelf/peak corner switchable between 8K and 16K.
THRU
Passive 1/4″ loop output of the DI input signal.
DI
1/4″ socket for direct input (DI) or instrument inputs.
MIC/DI/LINE
Push-button switch for selecting the Mic/DI or Line input.
GND LIFT
Push-button switch that disconnects the DI audio signal ground from the housing ground.
SIGNAL
LED, which lights up GREEN when the signal is present and RED when it is approaching the overload point.
MIC GAIN
Rotary switch with 12 positions, which controls the gain of the microphone preamp in 6 dB steps.
TRIM
Potentiometer with 31 steps, with which the user can adjust the pre-amplification in a range of +/- 6 dB.
48V
Push-button switch that lights up RED when the +48V phantom power is switched on.
Ø (polarity)
Push-button switch that lights up yellow when activated and reverses the phase of the input signal.
HPF
Push-button switch that lights up GREEN when the variable high-pass filter is activated.
FREQ
Potentiometer with 31 steps, with which the user can set the cut-off frequency of the variable high-pass filter in a range from 20 Hz to 250 Hz.
EQ IN
Push-button switch that lights up GREEN when the induction EQ section is activated.
LF
31-step potentiometer with which the boost or cut of the lower frequency band can be adjusted in a range of +/- 15 dB.
LOW FREQ
4-position rotary switch for selecting the shelf or center frequency (peak) of the low frequency band.
LF PEAK
Pushbutton switch that toggles between shelf mode (out) and peak mode (in) of the low frequency band.
MID HI Q
Push-button switch that reduces the Q-width of the mid frequency band when pressed.
MID
31-step potentiometer that controls the boost or cut of the mid-frequency band in a range of +/- 15 dB.
MID FREQ
Rotary switch with 6 positions for selecting the center frequency (peak frequency) of the center frequency band.
8K/16K
Pushbutton switch to select between the two available high frequency shelf/peak frequencies: 8kHz (OUT) and 16kHz (IN).
HF
31-step potentiometer with which the boost or cut of the high frequency band can be set in a range of +/- 15 dB.
COMP IN
Push-button switch that lights up GREEN when the diode bridge compressor is switched on.
THRESHOLD
31-step potentiometer that controls the threshold range of the compressor from +20 dBu to -25 dBu.
RATIO
6-position rotary switch that sets the compressor ratio from 1.5:1 to 8:1.
S/C IN
Push-button switch that activates the SEND & RETURN side-chain insert sockets on the rear panel for external side-chain processing (e.g. EQ).
HPF TO S/C
Push-button switch that lights up GREEN when the high-pass filter of the compressor in the side channel is activated.
GAIN
31-step potentiometer that controls the compressor gain in a range from -6 dB to +20 dB.
TIMING
6-position rotary switch for setting the attack and release times of the compressor.
LINK
Push-button switch for activating the stereo compressor link mode.
PRE EQ
Push-button switch that switches the compressor section before the EQ section when it is activated.
FAST
Illuminated pressure switch that accelerates all compressor time constants by 30%.
BLEND %
31-step potentiometer for controlling the wet/dry mix of the compressed signal (wet) to the input signal (dry).
VU SELECTION
Pushbutton switch that toggles between measuring the compressor output level (OUTPUT) and gain reduction (REDUCTION).
SILK IN
: An illuminated push-button switch that cycles through the three available SILK modes: OFF, RED, and BLUE. RED boosts the harmonic content in the high and mid frequencies. BLUE boosts the harmonics in the low and mid frequencies.
TEXTUR
31-step potentiometer that controls the amount of SILK harmonics added to the transformer output stage when SILK is activated.
PEAK
The PEAK LED warns you when the signal level is 3 dB below the clip point.
Back
POWER
IEC power connector with integrated power switch. 100–240 VAC at 50/60 Hz. Maximum AC power consumption: 35 watts.
EARTHING HUB
Slide switch that disconnects XLR pin 1 from the MAIN OUT and -6dB OUT chassis ground to help isolate ground noise.
LINE OUT
Balanced XLR output with a customized transformer from Rupert Neve Designs.
-6dB output
Balanced XLR output utilizing a lower level secondary output from the custom Rupert Neve Design transformer.
SIDE-CHAIN-SEND
Compressor side-chain insert SEND 1/4″ TS socket for connection to the input of an external processor (e.g. EQ).
SIDE-CHAIN-RETURN
Compressor side-chain insert RETURN 1/4″ TS socket for connection to the output of an external processor (e.g. EQ).
LINK
: 1/4″ TS jacks that allow two Shelford Channel compressors to be connected together for stereo compression. INTENDED FOR USE ONLY WITH OTHER SHELFORD CHANNEL LINK JACKS.
LINE INPUT
Balanced XLR input that can be used for LINE level signals.
MIC INPUT
Balanced XLR input that can be used for MIC level signals.
The compressor
Like the Inductor EQ and Transformer Gain mic preamp, the diode bridge compressor in the Shelford Channel is based on the same topologies found in Rupert’s vintage designs – but refined and adapted for the modern engineer.
What is diode bridge compression?
While the VCA compressor in the Master Buss Processor provides unsurpassed clarity, the weighty, harmonically rich tonality of the diode bridge compression can be instrumental in bringing important sources such as vocals, electric guitars, bass and drums to the forefront of a mix.
Knowing the limitations of vintage gear like the legendary 2254, careful work was done to reproduce the unique sound of these classics while improving the noise floor and accuracy, expanding the inflexible time constants, adding full-wave sidechain detection for improved dynamics, and extending the range of the threshold and ratio controls.
Delivering the powerful sound of these iconic designs with enhanced flexibility for the modern age, the Shelford Diode Bridge Compressor is a dynamic tool that can make a statement in virtually any mix or track.
Silk
At the end of the Shelford Channel signal path lies the unique and highly sought-after variable Silk circuit, which provides the power and control to boost the second and third harmonics. From a subtle transformer-like tone without Silk to significantly more color than vintage modules with the Silk/Texture circuit turned all the way up, the output stage of the Shelford Track can fill the mix with more power and brilliance.
Custom Transformer Outputs
The Shelford Channel features a dedicated transformer output stage with a balanced standard LINE output. Additionally, a separate -6dBu XLR output can compensate for high input levels and Silk’s harmonic saturation, allowing engineers to drive the Shelford to its full potential to achieve more harmonics without overdriving the next device in the chain. Both outputs are active and can be used simultaneously.
The LINE output is designed to capture an uncolored sound at high levels, avoid nonlinear coloration in the output stage, and take full advantage of the Shelford’s higher voltage. The -6dB output, on the other hand, is optimized to allow the sound engineer to tap into the channel’s full voltage range—thereby adding dynamic sound with the same nonlinear “coloration”—without overdriving most professional interfaces. For drums, vocals, guitars, and other instruments, this output allows you to access the transformer’s “sweet spot” with its nonlinear harmonic content, which brings a recorded performance to life in a way that other effects cannot.
| Weight | 5,5 kg |
|---|---|
| Dimensions | 61 × 33 × 11 cm |
| Connections | sym. Jack, unsym. Jack, XLR |
| Format | 19inch |
| Rack Units (RU) | 1 |
| EQ Type | Semiparametric, Shelf / Baxandall |
| Compressor Type | Diode bridge |
| Tube | No |
| Channels | Mono |
| Signal Level | Instrument Level, Line Level, Mic Level |
| Recall - Remote | No |
| Stereo Link Option | Yes |
| Qty of mic inputs | 1 |
| Qty of instrument inputs | 1 |
| Ribbon Option | No |
| max Gain in dB | 72 |
| Frequency bands | 3 |
| Sends | Yes |
| Returns | Yes |
| Sidechain Int | Yes |
| Sidechain Ext | Yes |
| Mix Dry/Wet | Yes |
| Stepped potentiometers | Yes |
| Style | 1064, 1073, Neve 2254 |
| primary area of application | Mixing, Recording |
Product safety
Manufacturer information
Rupert Neve Designs, LLC.
PO BOX 1969
Wimberley, TX 78676
USA
+1 (512) 847-3013
Person responsible for the EU
Mega Audio GmbH
Feldborn 3
55444 Waldlaubersheim
Germany
+49 6707 914 522
Safety instructions
Our offer is primarily aimed at commercial users who test and use products on their own responsibility for their professional use. Please note that safety-relevant information, instructions and symbols may be included in the supplied instructions for use. This is enclosed with the product and, if available, can also be downloaded in digital form from our website.
We recommend that you read the instructions for use carefully and check the product for safety and suitability for your intended use before use. If you require further information, please contact the manufacturer or the manufacturer's EU representative directly.
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Q & A
Rupert Neve Designs Shelford Channel 5035 | Channel Strip
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